Van Meegeren created a work that made real an unproven theory by a leading Vermeer scholar. This is one approach to what has been called a “provenance trap,” a means by which forgers pass off their works as originals by using so compelling a story about the history of the object that even experts are fooled—sometimes in the face of artworks that don’t really look anything like we would expect them to. Imagine you are a forger: what other approaches might you take, other versions of the “provenance trap,” to pass off a forgery and fool experts?